Transcendental Forms
Transcendental Forms
Where Sacred Geometry Meets Machine Vision
This collection started with a question that wouldn't leave me alone: What happens when you feed four-dimensional geometry to an AI that's only ever seen our three-dimensional world?
For months, I'd been creating polytopes in Blender—impossible geometric forms that exist in dimensions we can't physically experience. Then Midjourney v5.2 launched, and something clicked. I realized I could use these mathematical structures as foundations for a new kind of collaborative art, where machine intelligence interprets geometry through its own form of consciousness.
The Dialogue Between Math and Machine
Each piece in Transcendental Forms represents hundreds of iterations—a conversation between my geometric foundations and AI's interpretative vision. I don't just prompt the AI; I guide it through mathematical landscapes, watching for those rare moments when it reveals something neither of us could have imagined alone.
The process is obsessive. I'll generate 500+ variations for a single concept, looking for that one output where the geometry transcends its mathematical origins and becomes something spiritual, almost alive. Less than 1% make the cut. The ones you see here? They stopped me in my tracks.
The Collection
Eclipse of Infinity
1/1 • Solana Blockchain
This piece haunted me for weeks before I finally captured it. Starting with a recursive polytope structure, I watched the AI transform it into what feels like witnessing a cosmic event from inside the mathematics itself. The longer you look, the more the geometry seems to breathe and shift—an effect I didn't plan but couldn't improve.
People tell me this piece changes how they see digital space. That wasn't the goal, but it might be the point.
Dawn of Symmetry
1/1 • Solana Blockchain
Pure accident led to this one. I was exploring golden ratio spirals within a hyperbolic framework when the AI interpreted my geometric constraints as architecture for light itself. The warm core penetrating infinite geometric layers—it's what I imagine mathematical enlightenment might look like.
Every geometric element follows golden ratio proportions. Not because I forced it, but because the AI found that balance naturally through our iterative dialogue.
Sanctum of Enlightenment
1/1 • Solana Blockchain
The solitary figure wasn't in my prompt. The AI added it, and suddenly the entire piece transformed from abstract geometry into a meditation on scale—human consciousness dwarfed by, yet somehow central to, infinite mathematical architecture. It reminded me why I started this exploration: to find where human meaning lives within pure mathematics.
Continuing the Exploration
Transcendental Forms extends my ongoing investigation into geometric consciousness—the same thread that runs through my mandala transformations and polytope sculptures. But here, working with AI adds an element I can't control: genuine surprise. The machine sees patterns in my geometry that my human brain simply can't access.
This isn't about AI replacing artistic vision. It's about discovering what becomes possible when mathematical precision meets machine interpretation meets human curation. Each piece is a three-way collaboration between mathematics, artificial intelligence, and whatever aesthetic sense guides me to recognize the exceptional among the infinite.
Collection Information
Total Works
5 pieces (2 available)
Blockchain
Solana
Editions
Strictly 1/1
Secondary
10% royalties
View the Full Collection
Each piece includes complete documentation of its mathematical foundations and creative process. I believe collectors should understand not just what they're looking at, but how it came to exist—the dialogue between human, mathematics, and machine that created it.
Explore on Exchange ArtTwo pieces have found their collectors • Three remain available
Every piece in this collection represents a moment when mathematics revealed something unexpected through machine consciousness. They're not just images—they're proof that beauty exists in dimensions we're only beginning to explore.
— Pardesco, 2024